Wolfsong

As a chorus grows, wolves reflect and react to one another’s excitement with increasingly lively riffs, “making the wolf chorus into a kind of jam session,” writes Simon Fraser University psychology professor Steven Brown in a 2007 paper. Brown speculates that similar sessions may have taken place among our own distant ancestors. Did they gather, as wolves still do, to share emotions, contagiously blending and overlapping voices in the “precursor for the systems that [became] both song and speech in modern humans”?

We will never know for sure, but wolf song has long triggered a powerful emotional resonance in people, one that predates its use as a cheesy horror-movie sound effect. As Michael Runtz, formerly an Algonquin Provincial Park naturalist and now a biology instructor at Ottawa’s Carleton University, explains, howling “inspires a rush of adrenaline, probably because, going back in our history, wild dogs were our competitors. We still react to that.” During the public wolf howls, Algonquin staff play recorded howls before shepherding visitors out to hear the real thing. “There’s often a nervous giggle that happens, even with adults, when you first hear a howl,” Stronks says. “We want to get that out before the actual howl.”

If we can get past that ancient fear, Harrington argues, sensitive listeners can not only appreciate the song, but also discern the feeling behind it, just as we do when we listen to people speaking a foreign language. “You may not have the foggiest idea what they’re saying, but you still understand their mood,” he says. So to think that animals as similar as wolves and humans (both social, communicative creatures relying on teamwork for their predatory success) might use similar vocal cues in their messages is not much of a leap. High-pitched vocals are less threatening, Harrington suggests, because they signal, “I’m not as big as you are” or “I’m sending out a friendly vibe.” In wolves, friendly howls range from soaring solos to the campfire choruses punctuated by the yapping of dancing pups.

Wolf facts
➞ Wolves can travel up to 72 kilometres in a day, sprint at more than 50 kilometres an hour and swim up to 13 kilometres.
➞ The three most important prey species for Algonquin’s wolves are deer, moose and beaver.
➞ A wolf can eat as much as 10 kilograms of meat at a feeding, although the animal may regurgitate some of that to feed pups and pack mates, or store it, for use later, in up to 16 small caches pawed into the ground.
➞ A wolf’s stomach contents can make up to 25 percent of its weight.
➞ A wolf spends about 30 percent of its time hunting.
➞ The eyes of wolf pups are closed for the first 12 to 14 days after birth.
➞ Urine scent markings remain potent for two to three weeks. Wolves and coyotes leave twice as many markings on the edges of their territories than they do in the core area.
➞ A 50-kilogram wolf can fast for about 67 days before losing all its fat.
➞ Powerful jaw muscles allow wolves to lock onto prey, such as a moose, and hang on even if the prey drags or swings its attacker against trees. Not surprisingly, studies on Alaskan wolves found broken canine teeth were common in wolves that hunted moose.
➞ Eastern wolves, on average, weigh 25 to 30 kilograms and stand 60 to 68 centimetres tall at the shoulder.
➞ Between 2002 and 2006, median pack sizes in Algonquin Provincial Park ranged between 4.5 and 5 animals in early winter. Wolf population densities range from about 2.3 wolves per 100 square kilometres on the west side of the park to 2.9 on the eastern side.
➞ Of the 51 deaths among Algonquin’s radio-collared yearling or adult wolves between 2002 and February 2007, 40 were from natural causes, such as falling through ice, malnutrition, fighting with other wolves, mange or wounds inflicted by deer or moose. Nine were hit by vehicles. Two were killed in snares set outside the park.
➞ Although a wild wolf may live as long as 13 years, few survive longer than four or five years.

The blue notes are what Harrington calls “the lonesome howl, with pure tones going up three or four notes, building, and then dropping down, dropping down, three or four seconds. It’s just gorgeous. That sound may be mournful to you because there’s probably a universal mournfulness in certain vocalizations that can be understood at a gut level.”

At the opposite end of the howl spectrum, low-pitched, guttural sounds, such as the long, low, hoarse call of the alpha male, convey aggression, dominance and assertiveness. Stronks knows the difference firsthand. Last March, park staff dropped a roadkilled moose carcass into a nearby bog from a helicopter, something they occasionally do, as Stronks says, “to showcase scavenger behaviour” and let visitors see wolves, ravens and eagles in action. Stronks howled at a group of wolves near a carcass, while delegates attending a park interpreters’ conference looked on.

The wolves weren’t pleased. “Their response was way different than in the summer,” Stronks recalls. “What we heard was a much shorter howl: short, blunt, what I would call aggressive. They’re on a carcass on the edge of their territory, and if it’s an important food source for them, then it’s easy to speculate those howls are saying, ‘You’re not welcome here.’”

“Wolves have a tremendous ability to tailor a howl to the immediate situation,” Harrington says. At least part of the message lies in the delivery. The basic language of the howl may be “I’m a wolf, and I’m over here,” but whether the message is delivered through bared teeth or with a coquettish lilt makes all the difference to the recipient. Between high and friendly, blue and lonesome, and low and aggressive, “I can pick out some key points on the continuum,” says Harrington, “but it’s hard to read the subtler messages in between.”

He suspects wolves may conduct an introductory exchange among themselves, beginning with a “poker howl” that simply says, “I’m a wolf.” Depending on the response, the next message could be friendly and inviting, or aggressive and standoffish. For that reason, recorded calls sometimes do not work. “We might be playing a recording that says, ‘I am a wolf,’ and a wolf might howl back with a response about mood, or being a male or female,” says Harrington. “When we play the recording again, it just says, ‘I am a wolf.’ Pretty soon the other wolves give up, because they’re thinking, ‘That guy’s an idiot.’”
Harrington has heard animals change their howls in response to differences in his own howl, or alter their calls between each other. Once, in Superior National Forest in northern Minnesota, he saw the pack leader leave his group to issue a classic territorial warning to trespassing scientists. “He howled at me with this aggressive howl, and when the rest of the group heard it, they howled too,” he says. Possibly annoyed that the pack was giving away its location, the leader howled back at the rest with increased pitch and amplitude, and the pack fell silent. Whatever the exchange was, it was more complex than the sharp bark adult wolves use to shush yappy pups. When it comes to wolf communication, admits Harrington, “there are a lot of things we really don’t understand.”

That is as it should be, because wolves – regal, aloof, independent – may never fit into a Dr. Dolittle world where we decode their utterances and understand their psyches. After all, the creatures’ elusiveness, the mystery that surrounds them, is part of their allure. Stronks senses this at every public wolf howl. “[Even if] it’s so dark you can only see 10 or 15 feet on either side, you know there are 2,000 people out there, waiting, listening. They’re so silent you can’t hear them, but when the wolves begin, there’s an electricity in the air.”

We may never fully understand the wolf. But perhaps it’s enough to appreciate its discordant symphony and maintain a wilderness where the predator’s howls will continue to soar and keen through the night.

You can listen to wolves and read Fred Harrington’s descriptions of them on Nova’s Wild Wolves website: www.pbs.org/wgbh/nova/wolves/howl.html
The Science Behind Algonquin’s Animals website also has recordings of wolf howls and videos of wolves: www.sbaa.ca/projects.asp?cn=314
Details about Algonquin Provincial Park’s public wolf howl are available on the park’s website: www.algonquinpark.on.ca/programs/interp.html

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ray_fordRay Ford lives within earshot of wolves and coyotes near the northwestern corner of Algonquin Provincial Park.

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Comments

2 Comments on "Wolfsong"

  1. Sucheta Sikdar on Tue, 6th Jul 2010 5:01 am 

    I enjoyed reading this article. Wolves are fascinating creatures. I will keep an eye out for them the next time I visit Algonquin.

  2. The Journalism Connection | Field Notes on Tue, 21st Jun 2011 6:03 pm 

    [...] parks act, endangered ecosystems (I didn’t know what an alvar was before I read this), wolfsong, the deeply flawed environmental assessment act, Ontario’s mining act, and has been an [...]

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